The Metropolitan has two distinct preamp channels - the Rhythm Channel and the Lead Channel. This feature is labeled as Output Level and is provided for both channels. Tone Kings breakthrough Phase-4 power control technology is light years ahead of these older approaches in its ability to retain not only the tone, but also the tactile feel of the amps natural power tube overdrive, even at very low volume.
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This allows the Metropolitan to literally run anywhere between. they had great master volumes and I could compensate some thickness and gain in there with the RAW knob. Rosa Feola and Piotr Beczaa also star as Gilda and the Duke of Mantua, with Daniele Rustioni on the podium. She claimed that touchstone part for her own. I also owned a Tone King Metropolitan with the power scaling and it was ok The best volume control I ever had on an amp was 2 Allen amps I owned, an Old Flame and an accomplice. Commanding baritone Quinn Kelsey brings his searing portrayal of the title role to the Met for the first time, in a bold new production of Verdi’s timeless tragedy by Bartlett Sher, with an opulent Art Deco setting. Lastly, this amp features Tone King's Phase-4 circuit which determines the actual power produced by the Metropolitan's power tubes. Last spring at the Metropolitan Opera, the soprano Anna Netrebko took on the title role of Puccini’s Tosca for the first time. With just a turn of a knob the Mid-Bite can take the Lead Channel anywhere from sweet "tweed" to "chunky" rock crunch and provides tons of tonal space to sculpt your sound. The Lead Channel features a "Mid-Bite" control that is unique to Tone King Amplifiers. Check out one of the classiest amps you may have ever seen The Tone King Metropolitan Combo is. The Rhythm Channel on the Tone King Metropolitan lands somewhere between the typical "blackface" and "tweed" preamp tone but with a wider range than either of those classic preamps this allows for a wide variety of tones that can fit into any situation. On Monday, Yannick Nzet-Sguin, the Metropolitan Opera’s music director designate, conducted a magnificent performance of Wagner’s Parsifal. The Tone King Metropolitan Combo is nothing short of gorgeous, aesthetically and tonallyWildwoo. From start to finish this amp is all Mark and he stands proud, as he should, behind his skills as a top notch master amplifier builder.
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This most outstanding feature about these amps is that Mark literally builds the Metropolitan Amps himself, one at a time, in his personal shop in Baltimore, MD. Bartel has put some serious years of circuit design, chassis design and woodworking skills inside this marvelous amplifier. It's immediately obvious when you play through the Tone King Metropolitan, that Mr. The Tone King Metropolitan is the latest creation to find its way out of master amp builder, Mark Bartel's brain and heart.